Pop music has marked the history of America – the first twenty songs from the half-century of rock and roll First

Music pop that marked the history of America – the first twenty songs Half a century of Rock N Roll First

World has changed considerably during the second half of the twentieth century is here href = "> http://newmoviesong.blogspot.com http://newmoviesong.blogspot.com"

United States became the most powerful nation, both politically and culturally. American phenomenon which left its mark worldwide pop music. Here is my list of the most important pop songs of the twentieth century, in chronological order. Maybe not the first, best or most original, but it was the right thing at the right time, and who have changed history.

1. "Rock Around the Clock" (1954). Bill Haley and the Comets. In the early years of rock music, including This song would be obvious. It was the first rock and roll success, selling 25 million copies. Today we have a wish Law registration and that black artists like Big Joe Turner, Bo Diddley and Ike Turner are the real source of style, but that is the fact that segregation in the atmosphere of the time was necessary that a group of talent to defend white music to a wider audience. Comets have been able to rise to the occasion.

2. "Only" (1955). The Platters. They have become the epitome of style doo-wop pop that was a mixture of rock and roll and combos with a vocal style that was used from the Ink Spots and other artists of the era of Big Band. Doo-wop was the first successfully introduced by the Penguins a year earlier, with "Earth Angel", but it was The Platters, West Coast chic an act that really established the genre. His numerous hits including "The Great Pretender" and "My Prayer" was used as standard quality for other groups to achieve. With his popularity in multi-ethnic society in the northeast, doo wop style was the first racially integrated, and still has a devoted following to date, thanks to the many brilliant vocal performances.

3. "Hound Dog" (1956). Elvis Presley. In that year Elvis exploded on the scene this tube, "Blue Suede Shoes", "Heartbreak Hotel" and others. It was revolutionary at the time of McCarthy age of conformity. The influence of Elvis Presley can not be underestimated: it has presented to national audiences of rockabilly music, the white audience to rock and roll black character on stage and made accessible places most striking acts like Little Richard, Chuck Berry and Jerry Lee Lewis. He created the rock version of the table and the idol of youth, the image update time Frank Sinatra.

4. "La Bamba" (1958). Ritchie Valens. This song is important for two reasons: it has the Spanish language and Mexican traditions in the course of rock music. The opening phrase, "To dance the Bamba" sounds like a cry historic "Cry of the UN." It is also important having started the trend of dance songs that designed the dance as an expression of internal self, rather than a ritual of meeting. "To dance the Bamba, must have a touch of grace, "and listeners began to view dance from a new perspective, as communication with their own bodies.

5. "Shop Around "(1960). Smokey Robinson & the Miracles. A mixture perfectly designed for the voice of doo-wop and rock and roll beats driving is the record that launched Motown. The Shirelles, a group of New York "daughter" scored a coup a few months before with "Dedicated to The One I Love" (1959), thereby establishing gender. Shirelles were the pioneers, building on the success of the first oriented Chantel doo-wop and leading many other girl groups, but it was Motown that became focus on the spirit of this new musical style that eventually came to be called soul music, "and the Motown record is that made history. Motown was one of the veins richest pop music of this period, leading to historical records, was father of a stone Rollin '"(1972) by the Temptations. At present, the cultural revolution that was the 1960s Motown sound has transformed into something completely different.

6. "At Last" (1961). Etta James. Mixing raucous R & B styles, rock and roll and the slow groove female. He had not the seal of his contemporary jazz Dinah Washington, but represents a new Rebels land was hedonism. It paved the way for acceptance of other female artists as Aretha Franklin and Janis Joplin iconoclastic (with its particular version of "Summertime"). He proved a fertile ground for male singers, and in particular, with Percy Sledge "When a Man Loves a Woman" (1969).

7. "She Loves You" (1963). The Beatles. Although not an American, who had an enormous influence on the history of American music and pop culture of the decade 1960. "I Want to Hold Your Hand" was his first U.S. hit in January 1964 and was followed almost immediately by this song. The two songs as a whole illustrate the character innovator of the Beatles in terms of melody, song structure and vocal harmonic style. "She Loves You", however, was the most emblematic of the two, with its "Yes, yes, yes," refrain that has come to symbolize this type. British Invasion that followed changed the history of music.

8. "(I Can not Get No) Satisfaction" (1965). The Rolling Stones. The Beatles soon followed across the Atlantic for their bizarre world the evil twins, the Rolling Stones. If the Beatles had little halos, the Stones had horns. Their minds rebellion that found fertile ground in the atmosphere of the 1960s. He stuck to his heavy guitar-based genre, even the Beatles became more cerebral and psychedelic. The Rolling Stones can be considered the father of Heavy Metal, and their influence on groups like the Velvet Underground, the spiritual fathers of alternative rock.

9. "Subterranean Homesick Blues" (1965). Bob Dylan. As a singer of protest songs, Bob Dylan was one of the leading performers of the 1960 popular movement. His movement of the people in rock "in 1965 was shocking to his fans, and when he appeared on stage at the Newport Folk Festival with an electric guitar, was booed loudly, one of the most famous incidents of the time. This song was revolutionary not only for its innovative mix of musical styles, but also for its new use of language. The intensity of images was something I had never heard before pop music and would not be equaled until the Grand Master Flash "The Message" 1982. (See below).

10. "White Rabbit" (1967). Jefferson Airplane. This song was his second victory out of the album "Surrealistic Pillow", after "Do not Somebody Love You Want. "White Rabbit" really an example of modern West Coast psychedelic summer of love 1967, with its surreal lyrics and amazing crescendo. Grace Slick has single-handedly invented the concept of the central female rocker. Other important groups of the West Coast at this time were the doors with "Light My Fire" and The Byrds, with their version of Dylan Man "Mr. Tambourine. Everybody goes to San Francisco?

11. "Hey Joe" (1967). Jimi Hendrix. Working mainly in New York and London, which represents the variation of the Atlantic psychedelic rock scene. His guitar work and his acting style made him a pioneer this period, together with WHO and cream. It is a giant in the history of pop music because it is full of musical styles in black and white so successfully, and their creativity has helped to launch both the style and Heavy Metal funk style of the 1970s.

12. "Respect" (1968). Aretha Franklin. With the overwhelming impact of the invasion British style psychedelic soul music has lost its luster as a form of avant-garde pop music. Aretha changed its infusion of gospel and rhythm formula old Motown music, bringing music back to its African American roots. Respect is a very appropriate title for this achievement, because suddenly the importance of black music to the creative spirit of American pop music has become indisputable.

13. "City Living" (1973). Stevie Wonder. Deeply significant in both a musical and a social perspective. The use of synthesizers and mentioned in the song interlude gave an innovative structure. The social commentary and spoken dialogue paved the way for the development of rap music to the decade.

14. "I Will Survive" (1978). Gloria Gaynor. It the anthem of the disc fashion 1970s. previous club was "The Hustle" (1975) Van McCoy and the Soul City Symphony, and "Tangerine" (1976) by the Salsoul Orchestra. These dancers can focus instrumental rhythms and the steps they have learned the new dance craze of the time, whether dancing partners, and America's haste, or line dances like the bus stop. The 1977 film, "Saturday Night Fever" included songs with the voice of the Bee Gees (Stayin 'Alive) and The Trammps "Disco Inferno." However, the lyrics of these songs were always secondary and usually barely intelligible. With the interpretation Gloria Gaynor vocal increased by the same song, and the message in the lyrics, the excitement has finally found his voice and was revived.

15. "Rapper's Delight "(1979). Sugar Hill Gang. This song marked the beginning of rap music. It is a moment in the history of pop music as important as anything done by Elvis or the Beatles. The style of rap has developed rapidly and packaged by other groups such as Run-DMC, and continued to permeate the Western pop music in the decades following.

16. "The Message" (1982). Grandmaster Flash and the Furious Five. Infusion his verses with a powerful social commentary, which have proved the immense power of rap. Syncopated line of monosyllables: 'Do not push me, because I'm near the shore, not trying to "not lose your head," had no unprecedented, and the little laugh that followed was truly mesmerizing. With his virtuoso mastery of language, they have done for rap what Bob Dylan did for folk rock. The form has been filed Full commercial maturity 13 years later with Coolio of "Gangster's Paradise" (1995).

17. "Thriller" (1982). Michael Jackson. A great event. Musically, it's a synthesis of styles that preceded it: funk, rock, rnb, disco, novelty songs, but was much more than its parts, and that perfectly these styles. It was also the prototype clip, a visual realization never been reproduced. The album is the biggest selling album of all time.

18. "Like a Virgin" (1984). Madonna. Cyndi Lauper She went and crashed onto the music scene at the same time, in 1983, the first female artists to create all aspects of his personality on stage and this as a performance artist and not just entertainers. However, the style remained idiosyncratic and inimitable Lauper, the Madonna style, but became a genre. She created the idol sexy, leggy female pop in the tradition of male artists like Michael Jackson and Prince, and was followed by an endless chain of other women, some imitators, some artists in their own right.

19. "Conga" (1985). Miami Sound Machine. Enter English music lovers in the style of speaking Caribbean that had leaked on the East Coast for two decades. Gloria Estefan cut phrasing even gave the English letter Spanish sentiment. She reached or even surpassed this achievement with "Oye Mi Canto" in 1989. World Music and Latin fusion are concepts that have begun to take shape present here.

20. "Smells Like Teen Spirit" (1991). Nirvana. The grunge style of the 1990s, earned his most iconic performance in this regard. stage persona of Kurt Cobain and aesthetics have influenced all rock singers who came after him, giving them an alternative to the fake Cockney sound that had dominated before. The members of Nirvana are particularly expressed through his music, and art, and code characteristics this new style.

This is a list of twenty very different and unique songs, but there are certain features. One thing surprising is the low number of women here (six, including Grace Slick and Gloria Estefan). It seems that women have struggled to be seen as innovative and have the opportunity to play a role. An example of this double standards can be viewed as Mick Jagger, with his background in Columbia's middle class from the opposite end of the world speaks English, never facing serious questions about the hug black performance and musical styles, but Janis Joplin was born and raised in the Deep South, has been criticized as a derivative or worse, and his reputation has suffered for many years because of this. A clear division of styles along racial lines, in fact, one of the most persistent traits of pop music, even our days. However, if these divisions are normally classified as bias and elsewhere is not necessarily desirable in the case of pop music.

This has created the field of multi-faceted and rich who develop cross-pollination, and when we allow artists to fill these gaps through their creativity, we have some of the greatest performers such as Elvis Presley and Jimi Hendrix. Like the American pop music has become more complex, there have been more opportunities for mixed productive but the spirit of innovation seems to have reached a dry cloth. Remains to be seen whether the next great song will be coming. Visit Here http://newmoviesong.blogspot.com

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